Being a Man
by Paul Theroux
There is a pathetic sentence in the chapter “Fetishism” in Dr. Norman Cameron’s book Personality Development and Psychopathology. It goes, “Fetishists are nearly always men; and their commonest fetish is a woman’s shoe.” I cannot read that sentence without thinking that it is just one more awful thing about being a man—and perhaps it is an important thing to know about us.
I have always disliked being a man. The whole idea of manhood in America is pitiful, in my opinion. This version of masculinity is a little like having to wear an ill-fitting coat for one’s entire life (by contrast, I imagine femininity to be an oppressive sense of nakedness). Even the expression “Be a man!” strikes me as insulting and abusive. It means: Be stupid, be unfeeling, obedient, soldierly and stop thinking. Man means “manly”—how can one think about men without considering the terrible ambition of manliness? And yet it is part of every man’s life. It is a hideous and crippling lie; it not only insists on difference and connives at superiority, it is also by its very nature destructive—emotionally damaging and socially harmful.
The youth who is subverted, as most are, into believing in the masculine ideal is effectively separated from women and he spends the rest of his life finding women a riddle and a nuisance. Of course, there is a female version of this male affliction. It begins with mothers encouraging little girls to say (to other adults), “Do you like my new dress?” In a sense, little girls are traditionally urged to please adults with a kind of coquettishness, while boys are enjoined to behave like monkeys toward each other. The nine-year old coquette proceeds to become womanish in a subtle power game in which she learns to be sexually indispensable, socially decorative and always alert to a man’s sense of inadequacy.
needing a man as witness and seducer; but masculinity celebrates the exclusive
company of men. That is why it is so grotesque; and that is also why there is
no manliness without inadequacy—because it denies men the natural friendship
It is very hard to imagine any concept
of manliness that does not belittle women, and it begins very early. At an age
when I wanted to meet girls—let’s say the treacherous years of thirteen
to sixteen—I was told to take up a sport, get more fresh air, join the
Boy Scouts, and I was urged not to read so much. It was the 1950’s and
if you asked too many questions about sex you were sent to camp—boy’s
camp, of course: the nightmare. Nothing is more unnatural or prison-like than
a boy’s camp, but if it were not for them we would have no Elks’
Lodges, no pool rooms, no boxing matches, no Marines.
And perhaps no sports as we know
them. Everyone is aware of how few in number are the athletes who behave like
gentlemen. Just as high school basketball teaches you how to be a poor loser,
the manly attitude toward sports seems to be little more than a recipe for creating
bad marriages, social misfits, moral degenerates, sadists, latent rapists and
just plain louts. I regard high school sports as a drug far worse than marijuana,
and it is the reason that the average tennis champion, say, is a pathetic oaf.
Any objective study would find the
quest for manliness essentially right-wing, puritanical, cowardly, neurotic
and fueled largely by a fear of women. It is also certainly philistine. There
is no book-hater like a Little League coach. But indeed all the creative arts
are obnoxious to the manly ideal, because at their best the arts are pursued
by uncompetitive and essentially solitary people. It makes it very hard for
a creative youngster, for any boy who expresses the desire to be alone seems
to be saying that there is something wrong with him.
It ought to be clear by now that I have something of an objection to the way we turn boys into men. It does not surprise me that when the President of the United States has his customary weekend off he dresses like a cowboy—it is both a measure of his insecurity and his willingness to please. In many ways, American culture does little more for a man than prepare him for modeling clothes in the L.L.Bean catalog. I take this as a personal insult because for many years I found it impossible to admit to myself that I wanted to be a writer. It was my guilty secret, because being a writer was incompatible with being a man.
There are people who might deny this,
but that is because the American writer, typically, has been so at pains to
prove his manliness that we have come to see literariness and manliness as mingled
qualities. But first there was a fear that writing was not a manly profession—indeed,
not a profession at all. (The paradox in American letters is that it has always
been easier for a woman to write and for a man to be published.) Growing up,
I had thought of sports as wasteful and humiliating, and the idea of manliness
was a bore. My wanting to become a writer was not a flight from that oppressive
role-playing, but I quickly saw that it was at odds with it. Everything in stereotyped
manliness goes against the life of the mind. The Hemingway personality is too
tedious to go into here, and in any case his exertions are well known, but certainly
it was not until this aberrant behavior was examined by feminists in the 1960’s
that any male writer dared question the pugnacity in Hemingway’s fiction.
All the bullfighting and arm wrestling and elephant shooting diminished Hemingway
as a writer, but it is consistent with a prevailing attitude in American writing:
one cannot be a male writer without first proving that one is a man.
It is normal in America for a man
to be dismissive or even somewhat apologetic about being a writer. Various factors
make it easier. There is a heartiness about journalism that makes it acceptable—journalism
is the manliest form of American writing and, therefore, the profession the
most independent-minded women seek (yes, it is an illusion, but that is my point).
Fiction writing is equated with a kind of dispirited failure and is only manly
when it produces wealth—money is masculinity. So is drinking. Being a
drunkard is another assertion, if misplaced, of manliness. The American male
writer is traditionally proud of his heavy drinking. But we are also a very
literal-minded people. A man proves his manhood in America in old-fashioned
ways. He kills lions, like Hemingway; or he hunts ducks, like Nathaniel West;
or he makes pronouncements like, “A man should carry enough knife to defend
himself with,” as James Jones once said to a Life interviewer. Or he says
he can drink you under the table. But even tiny drunken William Faulkner loved
to mount a horse and go fox hunting, and Jack Kerouac roistered up and down
Manhattan in a lumberjack shirt (and spent every night of The Subterraneans
with his mother in Queens). And we are familiar with the lengths to which Norman
Mailer is prepared, in his endearing way, to prove that he is just as much a
monster as the next man.
When the novelist John Irving was
revealed as a wrestler, people took him to be a very serious writer; and even
a bubble reputation like Eric (Love Story) Segal’s was enhanced by the
news that he ran the marathon in a respectable time. How surprised we would
be if Joyce Carol Oates were revealed as a sumo wrestler or Joan Didion active
in pumping iron. “Lives in New York City with her three children”
is the typical woman writer’s biographical note, for just as the male
writer must prove he has achieved a sort of muscular manhood, the woman writer—or
rather her publicists—must prove her motherhood.
There would be no point in saying
any of this if it were not generally accepted that to be a man is somehow—even
now in feminist-influenced America—a privilege. It is on the contrary
an unmerciful and punishing burden. Being a man is bad enough; being manly is
appalling (in this sense, women’s lib has done much more for men than
for women). It is the sinister silliness of men’s fashions, and a clubby
attitude in the arts. It is the subversion of good students. It is the so-called
Dress Code of the Ritz-Carlton Hotel in Boston, and it is the institutionalized
cheating in college sports. It is the most primitive insecurity.
And this is also why men often object to feminism but are afraid to explain why: of course women have a justified grievance, but most men believe—and with reason—that their lives are just as bad.
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